A book for the birds

One of those great travel shots of The Blue. This time in St Mark's Square, Venice, courtesy of Alan who is sharing the book with the locals, and Deb who snapped the pic after they'd been to the Rugby World Cup in France last year. The thing is the pigeons really do look rather taken with it. Unfortunately, there are no pigeons in The Blue, but there are multiple appearances by chickens, shearwaters (mutton birds), mollymawks, seagulls, and tui. I do, I confess, have a bit of a thing for birds.

See here:

It was the start of the day and the calling of the chickens. Lilian loosened the gate of the run and ducked her head to enter, giving a thin high whistle at the back of her teeth as she did. It was either that or the clang of the scrap bucket against the gate post, but by the time she looked up they were out of the hen house and running across the hard earth. It didn't take much, only the smallest whistle and the single knock of a bucket, and Lilian was besieged by birds.

Opening of The Blue [appropriately published by Penguin 2007]

MORE ON BIRDS: post updates [10.21 am/1.17 pm] - Australian writer Gondal Girl has blogged on birds too! I know she's interested in them and today (roll down her post a little) you'll see she talks about a book called Corvus by Esther Woolfson which looks at the connection between birds and humans. More strangely, I am due to review the book later in the month on National Radio [it hasn't arrived yet but I'm looking forward to it.] And Fifi Colston's lovely velvet birds are up on her blog. I covet one of those but missed out on her last exhibition, I see there's another one coming up...

And nothing to do with birds but equally fascinating, there's a post up on Vanda Symon's blog today about a writer session in Dunedin discussing the Burns fellowship and the place of Maori writing in literature. Keri Hulme, Witi Ihimaera, Renee and Rawiri Paratene were on the stage.

Test-tube writing or messy sex?

'I do believe that pure literature created in the laboratory is a
vital part of a writing culture, but at the same time it's not necessarily better than that made through messy sex between the writer and the marketplace.'

This was part of a comment I made on the NZ lit blog Leafsalon a few days ago in response to a thought-provoking post by guest-blogger Maggie Rainey-Smith (author of About Turns and Turbulence.) It's a discussion on the conundrum voiced so well by 10CC (pictured here I hope):

'Art for Art's sake or Money for God's sake?'

Maggie compares Greg O’Brien’s Janet Frame Memorial Lecture delivered this month and a talk given by Sophie Hamley, an Australian literary agent. (Note, if you missed it, Greg's speech can be downloaded at the link above. It's worth reading. As one of our few Renaissance men - he's an artist, poet, essayist, art-writer, editor, illustrator, curator, philosopher - his erudite and elastic thinking is always an adventure.)


Here's some of Maggie's post:

'Greg talked about the ‘laboratory’ versus the marketplace. His lecture was all about the idea that the art of writing and being a writer is separate from that of being a published author. He quoted Roland Barthes in saying ‘the author performs a function, the writer an activity’....

... In contrast, Sophie Hamley was the guest speaker at the NZSA/Book Council/NZ Bookmonth-sponsored event. It was an international exchange – a literary luncheon if you will. Sophie is young, professional, savvy and most definitely passionate about writers and their publishers. She explained the difference between writer and author – the idea that if you want your work published and read, you need to understand what it is to be an author.'

Interesting stuff. First up in the comments is 'Islander' aka Keri Hulme:

'Maggie, this is a wonderfully thought-provoking post.I've been wrestling with the writer/author dichotomy for a couple of decades.I am a writer (I've been one since I was 7 and pasted together my first written work.) I am an author (I have 7 published books)…but what an author is supposed to be & do is now determined by market-driven factors with which I am not at all comfortable ....'

Other comments come courtesy of 'Kingi' 'Chris H' 'Unthank' and Greg O'B himself. Here's some of my take on it:

'Greg's speech is inspiring I think because it is a call to remind us to aim for brilliance, to take risks, to be 'absurdly ambitious' and to pursue writing for its own sake. He says: 'far better that writers aim for largeness of vision, dynamism and risk, and then fall short…' He was talking about writing awards there, but the comment applies as much to the 'marketplace'...

... My novel (The Blue) is a novel written with publishing in mind. For a while there it was a crazy hybrid of poetry and prose with a nebulous plot. I believe thinking of it as something I wanted published placed demands on it which made it better.

I think anything benefits from having demands made on it (people included) therwise they can be come self-centred and ingrowing and often irrelevant. Literature is partly about having a readership (as someone else commented here) because then a relationship between writer and reader is established and the work becomes something else again.

I do believe that pure literature created in the laboratory is a vital part of a writing culture, but at the same time it's not necessarily better than that made through messy sex between the writer and the marketplace.'

Comments welcome here, or go to Leafsalon and add to the discussion over there. Or if you'd rather, go to Youtube and watch 10CC in 1975 in the tightest flares I've seen in a long time. The final quote on this post can come from them:

Gimme your body gimme your mind
Open your heart pull down the blind
Gimme your love gimme it all
Gimme in the kitchen gimme in the hall

Which ties it all up rather neatly, really.