Showing posts with label kate de goldi. Show all posts
Showing posts with label kate de goldi. Show all posts

Monday, May 23, 2011

Reclaiming the semi-colon: Kate de Goldi

Semicolon
Kate de Goldi is crazy in love with semi-colons. She told a gathering of writers and readers this last night at a Writers on Sunday session at my bookshop. Not those exact words - I might have Steve Tyler from American Idol on my mind here - but something close. I was supposed to be conducting proceedings, so I wasn't taking notes.

Really, I should have guessed about this semi-colon thing. I re-read The 10 PM Question in preparation for Kate's session - a truly delightful experience, I'm not a re-reader in general, but I loved re-reading this book and it makes me wonder if I shouldn't do it more often - and anyway, I did notice that one sentence had THREE semi-colons.

Kate says children's books, and literature in general, are rapidly shedding the old semis and she regrets it - passionately. She says the semi-colon allows for longer sentences and, as a result, more complexity of thought, and it's simply rubbish that children aren't capable of handling semi-colons in their reading.

Just recently Kate visited the great children's author KM Peyton and they discussed the way she has had to shed the semi-colon at ( I believe) her publisher's behest. Certainly, when she did it, the publisher was pleased. However, in discussion with Kate - who is a big fan - KM admitted her writing was stronger when it embraced that odd-shaped dude, the semi-colon.

(While I was hunting for a semi-colon image, I found this hilarious post on a semi-colon rampant.)

Kate de Goldi was the first of our guests in our Writers on Sunday: Rona Winter Series. She was a stimulating, generous guest - talking about an awful lot more besides the semi-colon. She also went into the thinking behind her book The 10 PM Question, about place and character in her book, about children's and adult literature in general and how her book fits into those categories, about the nourishment books give and how 10 PM shows us this, and so much more besides. She read from 10 PM, as well as reading three pages from her novel-in-progress.

Everything Kate said had the audience of 40+ captivated, not least me. I will blog on the children's/adult lit question and Kate's insights into 10 PM when I have a little more time.  

Saturday, May 21, 2011

Kate de Goldi at 4.30 tomorrow Eastbourne

Writers on Sunday: Rona Winter Series is kicking off tomorrow (Sunday) May 22 at 151 Muritai Road Eastbourne 4.30 pm, with the remarkable Kate de Goldi: fiction writer (for children and adults) and reviewer, and currently working on a history of a pre-eminent collection of children's books owned by Susan Price.

Kate's The 10 PM Question (Longacre)has been a runaway bestseller and won Readers' Choice in the NZ Book Awards and Book of the Year in the Children's Book Awards. I reviewed it here.


We'll start the Sunday event with a glass of wine and a chance to chat with Kate, then there's an Open Mic for local writers to share their work, a refill of wine, then Kate will read followed by questions... and more wine... 


A similar event  held at Rona Gallery last year with Fiona Kidman was both stimulating and fun with a crowd of 50 people.

Rona Gallery is hosting four writers for its winter series - so after Kate there is:  Carol Henderson (memoir) - June 26, Jo Thorpe (poetry) - July 24, Peter Walker (historical fiction) - August 28


Here's an extract from my 10 PM Question review....

If you love story read this book. If you love a story which has in its arms myth, fairytale, legend, picture book, adult and childhood classics, read this book. If you have a family member who is different from the people in other families you know, read this book. If you love a book which pulses with the chaos of family life - of life in fact - but at every turn reminds you of the wonder there, read this book. If your family harbours a secret, read this book...


Be there or be square...  (Koha $5)

Sunday, March 14, 2010

Neil Gaiman as Mozart



Neil Gaiman is the Wolfgang Amadeus Mozart of writing. When presenter, Kate de Goldi, announced this to the packed Wellington Town Hall last night, it erupted.  Of course he is: Gaiman is prolific, precocious and overflowing with astonishing offerings to a delighted public. He thinks public, he woos public, twitters to over a million people, and has a blog journal where he talks about any and everything: writing, book tours, family, his fiancee (musician Amanda Palmer) and his divine white dog. This is a writer with a packed and public brain who looks like a rock star and quite frankly rocks. He filled the Town Hall, for God's sake.

It was a crowd unlike any crowd I've seen at a writer's event. There were both men and women there of all ages - from the elderly with walking sticks to intermediate-aged children, and a definite skew towards the 20/30 year olds with bandannas, black jeans, layers of coats and scarves, and even the odd top hat. These people are the readers of his adult fantasy fiction - the latest is American Gods  - and his short stories, graphic novels, comic books, film-scripts and picture books. Many will have dived into The Graveyard Book (think: Jungle Book in the graveyard - packaged, like Harry Potter, for both children and adults) and Coraline (now made into a movie and about a girl with a creepy parallel family). My daughter and I were there for these last two, we haven't read the others, but are intrigued. Gaiman declares himself a writer who can turn his hand to anything, and works better with a deadline and limits e.g. he gets excited about a short story commissioned for an anthology about cats who think they're Shakespeare.

This man is first and foremost a storyteller. For a start, he has a deep, confiding, clear voice, and secondly, he transforms even an ordinary conversation into a place where gods leap and mythical creatures come to rest, and thirdly, he tells bloody good yarns. His first reading was a poem, Locks, about reading Goldilocks to his daughter and how when we are young we sleep 'unwisely' like Goldilocks did, but as we get older we become more like Father Bear, checking the locks. His final reading was from American Gods where the mythical and the modern, the living and dead collide in contemporary America. As Kate D G said, Gaiman loves putting myth and fairytale up against the ordinary and mundane. She also pointed out he comes back again and again to two other key ideas: that people aren't really dead, and God is not what he seems* (if Gaiman is the writer as rocker, De Goldi is one of those dudes from Rolling Stone magazine). Gaiman was encouraged to talk about his love of G.K. Chesterton, and how C.S. Lewis's Narnia series introduced him to the creatures of Greek myth.

There were about 30 people lined up to ask Gaiman questions at the end, and he dealt with as many as he could, giving generous and interesting responses. The boy who asked what Gaiman's favourite mythical creature was, was treated to the story of the Basilisk and then taken on a quick tour of the Norse Gods. The woman who wanted Gaiman's best writing advice was told it wouldn't come after five raps on the door on a dark night (open it and find the hooded figures of Stephen King, JK Rowling and Neil Gaiman ready to help), but rather through sitting down and simply writing and writing ... When it was all over, Gaiman looked set to spend as least as much time signing his books as he had talking.

Here's Gaiman on TV3 news (interesting fact stated here, Gaiman is 59 years old! I was sure he was in his 40s - nope, see comment made by anon. below, TV3 is wrong ... ), and Gaiman visiting Weta and interviewed by Kim Hill. This is his marvellously eclectic blog with links to books and book events. And look, here on Twitter Gaiman's view of the Wellington gig!

TWITTER (neilhimself): Wonderful interviewer and audience tonight at Town Hall. Glad the signing only took 3 & a half hours. Have lost fiancée.


Postscript: Apologies for not covering more of the Writers and Readers Festival in Wellington here on the blog, due to family sickness, this is the first session (sadly) I've made it to. Didn't take any notes either, just wanted to sit there and lap it up, so *apologies for any small errors of reportage. Hoping to get to Australian author Joan London today. Fantastic write-up here on Susanna Moore by Maggie Rainey-Smith.

Saturday, May 16, 2009

The 10 PM Question: do read this book.

If you love story read this book. If you love a story which has in its arms myth, fairytale, legend, iconic picture book, adult and childhood classics, read this book. If you have a family member who is different from the people in other families you know, read this book. If you love a book which pulses with the chaos of family life - of life in fact - but at every turn reminds you of the wonder there, read this book. If your family harbours a secret, read this book. If people in your family harbour deep-seated worries, read this book. If you like a book which asks the big questions but doesn't try to give answers, read this book. If you want to read a book that buzzes with the possibilities of language, read this book. If you love birds, read this book. If you loved the movie: What's Eating Gilbert Grape? read this book. If you want to read one of our best authors at the peak of her game, read this book. If you want to remember what it is to be 12 again, read this book. If you are 12, read this book. If you want to know what it's like to be 12 in NZ in the time of spaceman candies [no longer spaceman cigarettes] and ipods, read this book. If you want a large dose of de Goldi [insight, wisdom, compassion, humour, intelligence, skill], read this book. If you want to read a book that is already a modern classic, read this book. If you want to meet Frankie Parsons and Gigs and Sydney and Ma and Uncle George and Gordana and Louie and Ray Davies and the Aunties and the Fat Controller and Mr A and Cassino. Oh do, do, do, do, do, do, do read this book.

Stop Press. The Commonwealth Writers Prize was announced tonight at the Auckland Writers and Readers Festival. Best Book - Christos Tsiolkas The Slap and Best First Book -Mohammad Hanif A Case of Exploding Mangoes.