It’s Ed and me today at the end of the seawall
on the way to Lion Rock. We lean on it, feel
the crust of lichen beneath our elbows, watch
the dogs
running on the shingle beach. Billy’s a softie
for a staffie-cross but he’s pulled
Ed’s arm
from the socket too many times to count. Ruby’s
not a softie, she has eyes like coins, a seal’s coat.
Together they’re the tigers in that story
running till they’re butter. Ed’s talking
about the dances in Limerick and
gets onto how he trod the boards with Harold
Pinter. Ed’s a painter now, or was – his duff
shoulder tells that story. Some days we fall in
with Charlie the blue heeler and his owner
whose name I always forget. Both of them have
a touch of wilderness about them.
Charlie’s
owner’s parents ran the Oasis Motel
in Palmerston North. Colin lived in Palmy, too,
before he moved to Rome to sculpt; his peke
Andrew is pissing on the wall now and Colin’s
following in his shark tooth hat. He tells a story
about living on Long Island and how, walking
with his bulldog, he was sometimes mistaken
for Truman Capote. Justine is blonde and pregnant
Andrew is pissing on the wall now and Colin’s
following in his shark tooth hat. He tells a story
about living on Long Island and how, walking
with his bulldog, he was sometimes mistaken
for Truman Capote. Justine is blonde and pregnant
and makes me think of vanilla icecream.
When she hoves into view with slobbering
Aaron and Beagle-eyed Georgie, the men
hold themselves tighter. She’s pretty,
Justine. Her husband’s a musician and
at weekends you see them out and
about. One day
Ed, Charlie’s owner, Justine, Colin and I are
up by the Rec’ in the pingao grass,
and we’re talking baby names while the dogs
churn. Her face is plump and tired, and Justine
says, 'Ruby, I think,' then louder, 'Ruby’ –
says, 'Ruby, I think,' then louder, 'Ruby’ –
and we stop talking a moment and breathe
in the sea and the sharp grass and the frangipane
scent Justine wears and the must of Colin’s
sheepskin coat and whatever it was Billy rolled
in, and then we laugh, and I mean laugh. The
belly kind that makes it hard to breathe anything
at all. We laugh, Ed, Charlie’s owner, Justine, Colin
and me
because there’s Ruby - over there – sniffing
Charlie’s arse, sleek and black, eyes a-gleam,
nothing vanilla about her, nothing like
ice-cream. Weeks later, by Lion Rock,
Colin catches me up. He’s got some results back.
His blood is revolting, turning on his heart.
I squeeze his hand. He squeezes back, eyes
on the oily sea, the other hand holding a bouquet
of the stiff pale seaweed that washes up
in storms. Some days it’s so luminous here,
it’s like standing inside a shell.
Next time we see Ed, he’s at the corner
of Nikau and the Promenade waving
and waving with his good arm. ‘Justine
had
her baby! I’ve seen
the little mite.’ We
stop and wait. The wind
stop and wait. The wind
getting up. Ed has Billy’s lead tight around
his wrist and pants when he reaches us. He mimes
lifting a pram cover and peering in. ‘Now ask me,’
lifting a pram cover and peering in. ‘Now ask me,’
he says, ‘ask me her name.’ We say all together,
a straggly chorus, ‘What’s her name, Ed?’ What’s
her name, Ed? says the sea, and Ruby circles
Billy like a tiger, and the gulls ratchet it down to a mew
Billy like a tiger, and the gulls ratchet it down to a mew
and everything is one big smile, everything on this
beach, one big ear. ‘Sure as I’m standing
here,’ says Ed, ‘You’ll never guess.’
He heaves Billy
along the path now, a grin like shark’s teeth,
then Charlie shows up, and his owner –
Garwain? – and they want to know too,
and Ed’s having a ball. We’re all having a ball.
Do get along to the Tuesday Poem hub to read a delightful fragment of Robin Hyde's, editor Janis Freegard.
6 comments:
Really enjoyed this Mary. That great spontaneous mix of dog and people behaviour. And the lines mix of the joy and sadness and loss of it all.
And this 'and then we laugh, and I mean laugh. The belly kind that makes it hard to breathe anything
at all. We laugh, Ed, Charlie’s owner, Justine, Colin
and me..'
Loved this poem, it is very real to me as a regular walker of dogs on a beach.
Thank you Helen and Richard - I really appreciate your comments. It's a whole world, dog-walking! and it's taken a long time for the poem to really work in evoking that. Cheers
This is fantastic - such a story, such character and feeling, and such rhythm. I love how you reference Sambo/ Babaji and how there is so much movement and life in this. And the line "I mean really laugh" really got me -- I felt it was such a strong thing embedded there in the middle of the poem, for the way it captured the authenticity of the emotion there. And that was before I knew it was a transition line, before I knew what comes next.
Really love this, Mary. Will come back to it again.
Oh and I am not even a dog person (not because I don't like them but because they make me sneeze). I don't often take to dog poems, either -- except I heard Ian Wedde read a couple about his dog Vincent once, and those have stuck with me too.
:)
Michelle - I just re-read your lovely comment here - thank you! This poem is one of those ones that matters to me - lovely to know other people love it too.
Michelle - I just re-read your lovely comment here - thank you! This poem is one of those ones that matters to me - lovely to know other people love it too.
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